ISSMA State Solo and Ensemble is just around the corner. Here are five tips to prepare for everything you need crush your performance!
Professional or advanced instruments will make you play and sound better. However, the actual instrument that is best for you is very subjective. We have students come in all the time with the intention of getting the best trumpet and mouthpiece. Those students don’t know that there is NO universal best trumpet or best mouthpiece. There is ONLY the best trumpet and mouthpiece for a particular player.
If I had a dollar for every time someone has said “marching band is a sport!” I could by the entire S&P 500. It is a truly silly argument. It’s like saying a tomato is a fruit and not a vegetable—it may be technically correct but it doesn’t have any real-world implications. You can put tomatoes in a salad or in a salsa—one of which is mostly composed of vegetables, and one that is mostly composed of fruits. See—it’s just a point of view for the sake of having a point of view. This is not an editorial on such matters—it IS an editorial on approaching music performance like an athlete instead of purely as artistic expression.
1. The War of Art by Steven Pressfield
“Resistance cannot be seen, touched, heard, or smelled. But it can be felt. We experience it as an energy field radiating from a work-in-potential. It’s a repelling force. It’s negative. Its aim is to shove us away, distract us, prevent us from doing our work.”
It’s easy to get distracted. I’ve been distracted by outside noise in writing this sentence. Everything seems designed to distract us. That’s what the entire discipline of marketing is for–to distract the potential user or customer. Google and Facebook are companies that literally pay engineers, psychologists, and etc. to find new ways of grabbing and making use of your attention. Other things do it too–our desire for attention, affection, recognition, and so on and so on ad infinitum.
The War of Art is antidote to that. If we want to succeed in the arts, in business, in life, we must control the resistance that surrounds us. This resistance is “any act that rejects immediate gratification in favor of long-term growth, health, and integrity.”
We can choose to put our higher nature (art, creativity, health, etc.) first and make it truly great, or we can give in to our lower nature (everything else). The choice is yours.
ISSMA Solo and Ensemble is just around the corner. Here are some tips to prepare for everything you need crush your performance!
I am quite sure your director and private instructor has told you to be early for rehearsals, concerts, and etc. You definitely want to be early when it comes to Solo and Ensemble. You never know what could happen—the weather might be terrible and your commute time will double. The performance order may change. A performance room might change. You might have issues with your instrument…anything that can happen will happen! Being early doesn’t fix these problems, but if definitely gives you the chance to get in the right headspace and deal with problems effectively.
In the time it took me to write this post, I checked my phone for messages four times, checked three separate email accounts, looked at two news sites, browsed a few restaurant menus and opened and closed who-knows-how-many search tabs. In short, I spent a lot of time “writing” that wasn’t actually writing. The same thing happens in the practice room.
We like to share this post each year to give you some ideas for practicing at home over break!
You’ve made it through the first half of the school year! For many of you, that means you’ve probably played a few concerts, recently completed your marching band season, or maybe you’re headed to the Rose Parade. With winter comes the thrill of pep band, the improvisation of jazz band, the spinning of winter guard, or the rhythms of winter percussion. You know by now, being a musician is a never-ending process with performances and rehearsals perpetually around the corner.