Specialist Posts

Conn-Selmer Artist Select trombones now at Paige’s Music

On September 23, 2019 Paige’s Music participated in the Conn-Selmer Artist Select program. This program allows professionals to hand select and play test each instrument from the factory to ensure that only the finest instruments are available to customers. K. Blake Schlabach and Tucker Woerner carefully play tested dozens of instruments, and we are happy to say that our top five selections are now available at Paige’s Music.

James A. Beckel Concerto for Trombone

Former principal trombonist of the Indianapolis Symphony Orchestra (ISO), James Beckel, is not only a world class trombonist. His admirable skillset includes excellence as an educator, and he is successful composer. Since his retirement from the ISO Beckel has been in demand as a composer. Below you can read more about his Concerto for Trombone, and you can hear Indiana University’s Carl Lenthe perform James A. Beckel’s Concerto for Trombone. If you are interested in purchasing a copy of the piece, click here.

The Legacy of Carl Fontana

July 18, 2019 would have marked Carl Fontana’s 91stbirthday. Fontana remains one the most influential, prolific, and recorded trombonists of all time. His legacy lives through his countless recordings with greats such as Woody Herman, Stan Kenton, Lionel Hampton, Benny Goodman, Paul Anka, Tony Bennett, and Sammy Davis Jr. Please listen to a few selections below and read more a more detailed biography below.

2019 International Trombone Festival Review

Each year the International Trombone Association(ITA) hosts the International Trombone Festival (ITF). Held in the summer, this week long festival offers youth workshops, professional development, concerts, masterclasses, and show space for dozens of the world’s top manufacturers of instruments and accessories. This year’s ITF was held on the campus of Ball State Universityin Muncie, IN. One of the ITF’s main objectives is to unite musicians from all parts of the world, but another goal is to showcase the amazing musicians on a more local scale.

We’re Hiring – Trumpet Specialist at Paige’s Music

Our great friend and trumpet specialist, Ross Werner, is moving on to a new career in the music industry. Over the past year, Ross has done a great service for the central Indiana trumpet community and we wish him well in his new adventure!

In saying that, we are looking to hire someone to continue Ross’ hard work in growing our business in trumpet related activities. Check out our job listing for more info and feel free to reach out to me directly with any inquiries.

I look forward to hearing from you soon!

Music In The Gig Economy – A masterclass with Richard Dole on navigating your freelance career as a musician.

Richard Dole is an active tenor/bass trombonist and educator in Indianapolis and the surrounding region. He has toured or performed with Aretha Franklin, Johnny Mathis, The Four Tops, The Temptations, Steve Lawrence/Edie Gormé, Barry Manilow, the Hollywood Concert Orchestra China tour, and in 2008 traveled with the Smithsonian Jazz Masterworks Orchestra to Egypt for a US State Department Tour.

Whew!  This makes him a perfect candidate for teaching a masterclass on how to navigate a career as a freelance musician.

Valve Guards, and Hair Ties, and BERPS… OH MY!

We have all either seen, been, or wanted to be the person who has all of those little gadgets and gizmos plastered on to their trumpet. The cool leather valve guard… The hair tie to secure your 3rdvalve slide… The mouthpiece receiver-hugging BERP… All of these items, and many more, have amazing benefits and should be used to their full potential. However, let’s think for a second about how these additions may be affecting the sound of your instrument.

Tips On Buying A New Trombone

Finding your next instrument can be a daunting task if you don’t have a game plan. The market is filled with a plethora of options, and sometimes it can be difficult to see the forest through the trees.From my time at Paige’s Music and my experience as a player, I can provide my thought process, and hopefully it will help with your future instrument selection.

Start by playing on your instrument.

Always, always, always limit the variables. Bring your current instrument and mouthpiece as well as familiar music. Warm up on your instrument and take note of how it sounds in the space around you. You need to have a control for the experiment, and your current instrument will provide that. Take out uncertainties like unfamiliar music, unfamiliar mouthpieces, and etc.